terça-feira, dezembro 28, 2004
moleskine
Notre Musique
What made you decide to divide the film into three parts: Hell, Purgatory, and Heaven?
One concept I share with Anne-Marie Miéville is making triptychs: a past, a present, a future; one image, another image and what comes between, what I call the real image, the third person, as in the Trinity. And I would call the third person the image, the image we don` t see, that comes from what we`ve glimpsed of what we will be seeing. For the rest, the cinema works in a naïve way technically, practically, just like that. And so when I went to Sarajevo, clearly it was Purgatory. They had Hell before, now it`s Purgatory, but I don`t think they`ll ever have Heaven.
posted by Luís Miguel Dias terça-feira, dezembro 28, 2004
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